Solo Instrumental
Works for flute, clarinet, viola, organ, and piano
Introspections
for solo flute
Score
Instrumentation: solo flute
Duration: 9'45"
Composed: 1986
Published by: J.B. Elkus Music
Distributed by: Subito Music
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Messenger
for solo flute
Instrumentation: solo flute
Duration: 4'45"
Composed: 1995
Updraft
for solo flute
Score
This work is part of the collection THE AMERICAN FLUTE (60000810 - $18.95) ed. John Solum.
Instrumentation: solo flute
Duration: 2'30"
Composed: 1996
Published by: J.B. Elkus Music
Distributed by: Subito Music
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Contraption
for solo contrabass clarinet
Score
Instrumentation: solo contrabass clarinet
Duration: 5'30"
Composed: 1991
Published previously by the American Music Center
Now in The New York Public Library Archives & Manuscripts
Contact the composer
Watch on YouTube
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Commissioned by Dennis Smylie. Premiered by Smylie at Miller Theater, New York, N.Y. May, 1991.
Chorale
for solo viola
Score
This work is part of the collection THE AMERICAN VIOLA (60000050 - $29.95) ed. Robert Bloch, and may not be purchased separately.
Instrumentation: solo viola
Duration: 2'30"
Composed: 1993
Published by: J.B. Elkus Music
Distributed by: Subito Music
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Altarpiece
for organ
Score
Instrumentation: organ
Duration: 12'
Composed: 1996
Commissioned by the American Guild of Organists
Published by: J.B. Elkus Music
Distributed by: Subito Music
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Fanfare for Organ
Score
Instrumentation: organ
Duration: 1'
Composed: 1995
Published by: J.B. Elkus Music
Distributed by: Subito Music
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Paraphrasis
Invention on the tune Innsbruck
Instrumentation: organ
Duration: 7’59”
Composed: 1981
Three Existential Postcards
for Piano
Instrumentation: piano
Duration: 6’45”
Composed: 2013
Movements:
1. Etherea
2. Cryptica
3. Gnostalgia
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The title suggests some mystery in these free-form “Existential Postcards,” which came to me as though from some other- worldly, yet recognizable, state of existence or perception. “Etherea” dwells in the stratospheric regions of harmonic atmosphere, where tones become as light as helium. “Cryptica” concerns my reaction to a painting of the Spanish-Mexican Surrealist artist Remedios Varo. In her painting Exploration of the Source of the Orinoco River, it is apparent that the drama of exploration takes place within the made-up landscape of the unconscious, where there is a fusing of surreality, myth, and painterly tradition extending back to the early Flemish masters, with their attention to detail and esoteric symbolism. “Gnostalgia” is both nostalgic and knowing, as fragments of a just-remembered melody morph into raging intensity, before disappearing with a gentle ripple.
Theme and Seven Variations for Piano
Instrumentation: piano
Duration: 10’52”
Composed: 1972
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Based on two contrasting gestures: a twelve-tone row, stated pianissimo in rising phrases, and a brusque interruption in the form of staccato figures sustained in the right hand as harmonics. Although the row remains as a theme in all the variations, the piece is by no means strictly serial; thus, while the staccato episodes echo two and three- note cells in the row, they do not make use of all twelve tones. It is rather the exploration of the harmonic implications of the row, as in the trills and tremolos of Variation II, that governs the whole.
Three Piano Pieces
Instrumentation: piano
Duration: 20’21”
Composed: 1995
Movements:
1. NGC 2997 - a spiral galaxy in the constellation Antlia
2. Saturn - mortification, fixed form, and the grave
3. The Work of Sun - enlightened consciousness